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Sinopsis :Nominated for five 2017 Tony Awards, including Best Revival of a Musical, Falsettos is a hilarious and poignant look at a modern family revolving around the life of a gay man Marvin, his wife, his lover, his soon‑to‑be‑bar‑mitzvahed son, their psychiatrist, and the lesbians next door. Originally created under the specter of the AIDS crisis, this timely musical about middle‑class family dynamics manages to remain buoyant and satirically perceptive even as it moves towards its heartbreaking conclusion. Lincoln Center Theater's production stars Christian Borle, Stephanie J. Block, Andrew Rannells, and Brandon Uranowitz, all of whom received Tony nominations for their respective performances.
Cast: Stephanie J. Block, Christian Borle, Andrew Rannells, Anthony Rosenthal, Tracie Thoms, Brandon Uranowitz, Betsy Wolfe
Production: Lincoln Center Theater, Jujamcyn Theaters
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Fury Road is the definitive sequel to Road Warrior that Thunderdome should have been.
The true star of the show are the vehicles. All of which are practical and built for the purpose of the film. And the world the survivors inhabit. The visual style and aesthetic is beautiful to behold. All of the characters are unique and well designed. CGI is minimal, reserved for the radioactive weather and a few shots when the road battles are taking place Even the story, which is more or less just a reworking of road warrior fused with Thunderdome but on a much bigger scale, is well executed too. The imagery and imagination behind it is fantastic. very inventive. The dialogue is pretty good too.
Hardy's Max? He's very subdued and underplayed here. He takes a back seat in this film. But the MM series was never really just about Max. He was just the relatable conduit into the post apocalyptic world for the viewer. So in that respect, it's definitely in keeping with the tone of the O.T. Hardy does a good job of conveying the tortured Max, but, I will always prefer Mel. One thing I disliked was the Batman voice Tom uses. Seems all films try to copy that, now. The Furiosa character, very strong female lead,, even tougher and ballsy than Max, She's the real hero of this movie. In one scene she almost kills Max twice. And if it wasn't for pure luck, she'd have killed him. There's a really great moment when Max wrestles the gun off her and he shows her that he too could have pulled the trigger, but doesn't. It's my fave part of the film. Max had her in a position where he could have killed her and taken the War Rig...But he was the bigger man. Refusing to kill, unlike the heroine. Who as no qualms about killing. Which shows that Max, despite his original quest for revenge, as grown, matured and evolved as a person, even though he is tormented, through his years in the post apocalyptic world.
The terminology used in the film is vintage MM. Phrases such as War Rig, War Boy, Half Life, Full Life, Mothers Milk, Gas Town etc. Max fans will recognise it and it fits perfectly with the world already established in the original films.
Compared to most Hollywood films I've seen in what?, oh, at least the last 5 years, it's a masterpiece. If there are flaws in it, I couldn't spot them.
I think what makes it a cut above the average Hollywood fodder that comes out now is the fact they got the original creator on board. George Miller, a guy who can actually write a 3 act script and ensure that it's directed properly. All the scenes are executed flawlessly, too. The pacing is spot on, none of the scenes or character interaction feels forced, and there is no fast cut edits, which give people headaches, it's just left to naturally unfold, as it were. There's no sloppy forced love sub plots here (well, there is a smallish one, one of the Breeder girls sort of gets the hots for one of the albino Half Life War Boys that falls into their company, who then sacrifices himself for them to escape at the end.
My one gripe, because, I need to find one, is that the main villain, who is the most original and unique villain of the whole MM universe, Immortan Joe (had to look that up on Wiki, thought it was "Immortal") at least in the way he looks, is killed off pretty easily at the end by Furiosa. That guy should have definitely been in the next movie, which has been confirmed by Miller to be in the pipeline.
And if that doesn't convince you to watch this film then I have three little words that will sway you to do so......
Flame Throwing Guitar.
Yes! A flame throwing guitar! And there's a war Drum vehicle that is a huge sub-woofer! And most amazingly, the vehicles are all real, built for the film. Outstanding design and workmanship in their realisation.
In closing, Fury Road is an excellent and well made addition to the Max universe. It fits perfectly alongside Road Warrior. In this age of rehashes, reboots, and rubbish CGI infested sequels and prequels, Fury Road is a cut above the rest. It's great just to see a film that actually just tells a three act story and is paced correctly. A piece of story telling that is well thought out, and executed on screen to pitch perfection. Don't be expecting The Lord of The Rings, plot wise, it's a simple tale, but just the fact it is done right, gives it an 8 out of 10 in my book.
I would recommend this movie to everyone it really is like nothing I've seen at the cinema before. The movie is just a 2hour long car chase but its so much more than that. Tom Hardy gives a brilliant performance without actually saying much and Charlize Theron who is the main character in many ways is equally as spectacular. The plot is very simple the god guys are being chased by the bad guys but the action scenes are shot beautifully and watching Hardy and Theron in action together really is amazing.
This is such a unique film and there's no doubt it will be remembered for many years to come. Easily in my top 10 favourite films of all time already, do yourself a favour and see this unbelievably brilliant film.
Mad Max: Fury Road is exactly what I expected from a prequel/reboot of the Mad Max saga: action from the beginning to the end, with a dense emotional core which brings substance to the chases and creates interest for the laconic characters who say little but express a lot. Mad Max: Fury Road basically consists on a 120-minute chase, in which the vehicles rarely stop; however, the perfect screenplay creates a fascinating dramatic arc for the main characters, offering them emotional moments which end up being as memorable as the magnificent action sequences. Some examples: Max's "thumbs up", the bag of seeds, an old lady's hussy smile... they are very brief details, but their accumulated impact makes the film hugely more satisfactory than other blockbusters full of special effects. What takes me to the amazing chases and stunts from Mad Max: Fury Road. Director George Miller has wide experience with these frantic chases through Australian outback (even though they were shot in the Namibia desert this time), having made the three previous Mad Max films. However, it is possible that, until now, thanks to the invisible fusion of digital effects and practical stunts, Miller could finally translate what he had imagined many years ago... and the result is truly extraordinary, not only due to the explosions, body-machine combats and exuberant vehicles design, but also because of the beautiful cinematography and absolute clarity in the flow of the action and the development of car battles... even though we might have to call them otherwise, because the only "automobile" recognizable as such is Max's Interceptor; all the other vehicles are insane mechanical frankensteins, each one of them more bizarre than the previous one... and even like that, beautiful in their twisted primordial aesthetic. And then, we have the excellent performances. It can be said that the authentic leading role belongs to Charlize Theron as Imperator Furiosa, with Tom Hardy in the supporting role of Max, but I don't see the point of establishing hierarchies; their characters are equally essential to the narrative, and their perfect performances immediately capture us into their adventures (and dis-adventures). Hugh Keays-Byrne brings an appropriately grotesque attitude to the villain, and I also liked the performances from Rosie Huntington-Whitely, Riley Keough, Abbey Lee, Courtney Eaton and Zoë Kravitz; on the beginning, they seem to be employed as mere "eye candy", but eventually, the actresses make those characters feel like credible human beings with well defined personalities, something which hooks us even more into the narrative and makes this "2-hour chase" a genuine tale of freedom and personal redemption... not to mention the strong feminist subtext which is apparently bothering some people. I don't understand them, but they are entitled to their opinion. In conclusion, Mad Max: Fury Road is a violent and somber movie, but with abundant spirit and humanity which compensate the cruelty of post-apocalyptic life. This is definitely one of the best films I have seen in recent years, not only because of the action and the characters, but also because it triumphantly re-establishes a fascinating world, which is simultaneously simple in its needs and complex in its evolution. I hope Mad Max: Fury Road earns the necessary money to make the planned sequels become reality; there is a lot of dramatic material to justify them. Besides, I need more doses of visual poetry with claws and a flamethrower which never runs out of fuel.
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